Rating: | ★★★★★ |
Category: | Movies |
Genre: | Drama |
Well, I’m not ashamed to admit I did. In the beginning of the movie, I thought it was just another typical Clint Eastwood action film. I stayed away from the reviews, so I didn't have any idea what to expect.
Gran Torino opens with Walt Kowalski (Eastwood) burying his dead wife Dorothy. The first thing I noticed was how old Eastwood is. And if the film was gonna be like any of his Dirty Harry movies, I was kinda doubtful that he could still pull if off.
Walt was a be-medaled Korean War veteran. A grumpy old man, if I may say so. He’s the classic senior citizen who thinks he can take care of himself and still do anything. Thus, he is not too keen on getting any help from anyone. Especially not from a 20-something parish priest Fr. Janovich (Christopher Carley) who insists on keeping an eye on him. Nor his son Mitch (Brian Haley), with whom he never had a real relationship with. He’s not very happy about his neighbors either. Being a war veteran, Walt thinks that all chinky-eyed Asians are Koreans. And his old neighborhood just teems with chinky-eyed, strange-speaking Asians.
Walt’s first encounter with the “chinks” was when a young boy named Tao (Bee Vang) attempts to steal his 1972 Gran Torino. Tao is Walt’s next-door neighbor. He’s a shy boy who has sensibly stayed away from gangs. He’s a good boy actually. A traditional Asian boy who does what he is told and respects his elders. And when the grumpy, American, old school war veteran and the goody-goody Asian boy crossed paths, both their lives were never the same.
The two men figuratively rescue each other from their deepest desires to be a somebody for the other person. The old man, having been estranged from his own sons, found a son in the young Tao. He taught him things about life and love. Tao, on the other hand, found the father he never had in Walt. He learned “manly” things from the old guy like how to ask girls out, how to talk like a man, getting a job, using tools and stuff, fixing things around the house.
Despite his advanced age, and a threatening illness, Walt discovers that it is never too late to be reconciled, not only with himself, but with his faith. The phrase “love thy neighbor” has taken a new meaning for him. However, the movie did not deal with rebuilding Walt’s relationship with his family. Which was kind of sad. Although he has confessed to Fr. J how this drifting apart had been bothering him, Walt didn't’t really exert any effort in putting things right between him and his sons. Or maybe he just didn't’t know how to do it. Ina phone conversation with Mitch, both father and son found it difficult to connect. I mean, really connect.
Despite that, Walt did make a very significant impact in the life of Tao. It’s almost as if Walt was atoning for his sins by making sure he doesn’t make a mistake and mess up Tao’s life. After an unfortunate incident happens to Tao’s sister Sue (Ahney Her), Walt literally saves Tao from getting blood on his hands, and gives him a chance to have a better future. Messianic? Maybe, but Walt’s gesture was definitely symbolic of Christ’s sacrifice.
I am not going to give the ending away. I just want to say that after all the Dirty Harry Go-ahead-punk-make-my day slip-ups made by Eastwood in the past, Gran Torino has more than made up for them. ChristianityToday.com included this film in its 10 Most Redeeming Films of 2008 list. If you haven’t seen it, go find out for yourself why. It’ll be worth it.